Salvador Dali Oil Painting Reproduction From
Master Works Art Gallery
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Contrary to popular beliefs, Salvador Dalí wasn't only a surrealist painter, he was also a writer. His style was varied, and changed from one period to another. First of all, he was drawn to cubism, followed by futurism, then by the metaphysics and finally by surrealism. This great Spanish artist was selfish (in an almost exaggerated way), arrogant, touchy and distrustful: he was a paranoid.
In his surrealist phase, Dalí developed a method he named the critical-paranoiac method, which he defines as a "spontaneous method of irrational knowledge, based on the critical-interpretive association of delirious phenomena... It's a systematic interpretation of the experimental matter which has a narcissistic tendency to isolate itself." (Dalí, according to "Histoire de l'art", p.278)
In simpler words, it's a method invented by Dalí, which consists of painting the "flashes" (activity of our unconscious).
- Les Elephants
- The Persistance of Memory
- Apparition du Visage de l'Aphrodite Cnide dans un Paysage
- Montre Molle au Moment de sa Premiere Explosion
- La Tentation de St. Antoine
- Cygnes Reflechis en Elephants
- Paysage aux Papillons
- Reminescence Archeologique de L'Anelus de Millet
- The Hallucinogenic Toreador
- La Femme a tete de Roses
- The Lawyer
- The Rose
- Moment of Explosion
- Dream Caused by a Bee Flight
- Apparition du visage de L'Aphrodite de Cnide dans un paysage
- Rose Meditative
- Moment of Transition
- Apparizone di una Faccia e di un Piatto di Frutta sulla Spiaggia 39.25"x 27.25"
- Lo Spretto di Vermeer 27.25"x 39.25"
- La Metamorfosi di Narciso 35.25"x 27.25"
- Reve Cause Par Le Vol d'une Abeille 17"x 21"
- Meditative Rose, 1958 16 in. x 20 in
- The Elephants, 1948 24 in. x 32 in.
- Swans Reflecting Elephants, 1937 14 in. x 11 in.
- Female Figure With Head of Flowers, 1937 24 in. x 32 in.
- Galatea of the Spheres, 1952 16 in. x 20 in.
- Christ of Saint John of the Cross, 1951 22 in. x 28 in.
- Swans Reflecting Elephants, 1937 24 in. x 32 in.
- The Persistence of Memory, 1931 24 in. x 32 in.
- Swans Reflecting Elephants, 1937 10 in. x 8 in.
- Christ of Saint John of the Cross, 1951 24 in. x 32 in.
- Dream Caused by the Flight of a Bee Around a Pomegranate One Second Before Awakening, 1944 24 in. x 32 in.
- Gala Contemplating the Mediterranean Sea (Lincoln in Dalivision), 1977 32 in. x 24 in.
- The Hallucinogenic Toreador, 1969-70 24 in. x 32 in.
- Soft Watch At Moment of First Explosion, 1954 16 in. x 20 in.
- The Persistence of Memory, 1931
- Musical Tempest (Red Orchestra), 1957 23 in. x 29 in.
- Swans Reflecting Elephants, 1937 16 in. x 20 in.
- Geopoliticus Child Watching the Birth of a New Man, 1943 28 in. x 22 in.
- Giraffe on Fire, 1937 24 in. x 32 in.
- The Hallucinogenic Toreador, 1969-70 20 in. x 24 in.
- The Temptation of St. Anthony, 1946 16 in. x 20 in.
- Dream Caused by the Flight of a Bee Around a Pomegranate One Second Before Awakening, 1944 14 in. x 11 in.
- Broken Bridge and the Dream, 1945 23 in. x 29 in.
- The Persistence of Memory, 1931 24 in. x 32 in.
- The Elephants, 194816 in. x 20 in.
- Metamorphosis of Narcissus, 1936-37 28 in. x 22 in.
- Outskirts of a Paranoiac-Critical Town, 1936 24 in. x 32 in.
- Metamorphosis of Narcissus, 1936-37 24 in. x 32 in.
- Sacrament of the Last Supper, 1955 23 in. x 29 in.
- Sacrament of the Last Supper, 1955 47 in. x 32 in.
- Apparition of a Face and Fruit Dish on a Beach, 1938 16 in. x 20 in.
- The Discovery of America by Christopher Columbus, 1959 28 in. x 21 in.
- Metamorphosis of Narcissus, 1936-37 40 in. x 55 in.
- Metamorphosis of Narcissus, 1936-37 24 in. x 32 in
- Dream Caused by the Flight of a Bee Around a Pomegranate One Second Before Awakening, 1944 24 in. x 32 in.
- Apparition of a Face and Fruit Dish on a Beach, 1938 24 in. x 32 in
- The Persistence of Memory, 1931 23 in. x 29 in.
- Poetry of America: The Cosmic Athletes, 1943 24 in. x 32 in.
- The Hallucinogenic Toreador, 1969-70 22 in. x 28 in.
- Female Figure With Head of Flowers, 1937 12 in. x 16 in.
- The Hallucinogenic Toreador, 1969-70 40 in. x 60 in.
- Invention of the Monsters, 1937 28 in. x 22 in.
- The Temptation of St. Anthony, 1946 24 in. x 32 in.
- Soft Watch At Moment of First Explosion, 1954 36 in. x 24 in.
- The Birth of Liquid Desires, 1932 28 in. x 22 in.
- Swans Reflecting Elephants, 1937 36 in. x 47 in.
- Apparition of a Face and Fruit Dish on a Beach, 1938 28 in. x 22 in.
- Burning Giraffes and Telephones 28 in. x 22 in.
- The Sublime Moment, 1938 10 in. x 8 in.
- The Disintegration of the Persistence of Memory, 1952-54 29 in. x 23 in.
- The Disintegration of the Persistence of Memory, 1952-54 39 in. x 28 in.
- The Annunciation, 1947 8 in. x 9 in.
- Christ of St. John of the Cross (study), C. 1951 26 in. x 32 in.
- Dream Caused by the Flight of a Bee Around a Pomegranate One Second Before Awakening, 1944 24 in. x 32 in.
- Woman with a Head of Roses, 1935 32 in. x 24 in.
- Swans Reflecting Elephants, 1937 40 in. x 60 in.
- Sacrament of the Last Supper, 1955 31 in. x 24 in
- Crucifixion (Corpus Hypercubus), 1954 23 in. x 29 in.
- The Persistence of Memory, 1931 24 in. x 32 in.
- Millet's Architectonic Angelus, 1933 25 in. x 27 in.
- Atavistic Vestiges after the Rain, 1934 24 in. x 32 in.
- Santiago el Grande, 1957 31 in. x 24 in.
- The Disintegration of the Persistence of Memory, 1952-54 28 in. x 20 in.
- Sacrament of the Last Supper, 1955 28 in. x 44 in.
- Swans Reflecting Elephants, 1937 36 in. x 24 in.
- Maelstrom 23 in. x 29 in.
- Clock Explosion 36 in. x 24 in.
- Metamorphosis of Narcissus, 1936-37 31 in. x 24 in.
- The Temptation of St. Anthony, 1946 36 in. x 24 in.
- Mountain Lake, 1938 32 in. x 24 in.
- The Dream of Christopher Columbus, 1959 24 in. x 32 in.
- The Elephants, 1948 36 in. x 24 in.
- The Ecumenical Council, 1960 22 in. x 28 in.
- Illumined Pleasures, 1929 31 in. x 24 in.
- Crucifixion (Corpus Hypercubus), 1954 7 in. x 12 in.
- Untitled 24 in. x 32 in.
- Metamorphosis of Narcissus, 1936-37 36 in. x 47 in.
- The Enigma of Desire: My Mother, My Mother, My Mother, 1929 31 in. x 24 in.
- Spain, 1936-38 32 in. x 24 in.
- Sun Table, 1936 32 in. x 24 in.
- Dream Caused by the Flight of a Bee Around a Pomegranate One Second Before Awakening, 1944 32 in. x 24 in.
- The Persistence of Memory, 1931 27 in. x 20 in.
- The Persistence of Memory, 1931 12 in. x 16 in.
- Giraffe on Fire, 1937 20 in. x 28 in.
- The Hallucinogenic Toreador, 1969-70 31 in. x 24 in.
- Boat, 1934-1936 8 in. x 11 in.
- Crucifixion (Corpus Hypercubus), 1954 28 in. x 18 in.
- Apparation of the Face of the Aphrodite of Knidos, 1981 20 in. x 16 in.
- Atavistic Vestiges after the Rain, 1934 8 in. x 10 in.
- Sacrament of the Last Supper 11 in. x 7 in.
- Autumnal Cannibalism, 1936 28 in. x 23 in.
- Apparition of a Face and Fruit Dish on a Beach, 1938 23 in. x 29 in.
- The Persistence of Memory, 1931 16 in. x 20 in.
- The First Days of Spring, 1929 32 in. x 24 in.
- Sleep, 1937 24 in. x 32 in.
- Geological Destiny, 1933 28 in. x 20 in.
- Dream Caused by the Flight of a Bee Around a Pomegranate One Second Before Awakening, 1944 24 in. x 32 in.
- Metamorphosis of Narcissus, 1936-37 36 in. x 24 in.
- The Birth of Liquid Desires, 1932 23 in. x 29 in.
- Apotheosis of Homer 28 in. x 20 in.
- Basket of Bread, 1926 13 in. x 13 in.
- Apparition of a Face and Fruit Dish on a Beach, 1938 24 in. x 32 in.
- Gala Contemplating the Mediterranean Sea (Lincoln in Dalivision), 1977 22 in. x 28 in.
- Apparation of the Face of the Aphrodite of Knidos, 1981 32 in. x 24 in.
- Apparition of My Cousin Carolineta on the Beach at Rosas, 1933 24 in. x 32 in.
- Santiago el Grande, 1957 24 in. x 32 in.
- Burning Giraffes and Telephones 23 in. x 29 in.
- Transparent Simulacrum Of The Feigned Image, 1938 23 in. x 29 in.
- Sacrament of the Last Supper, 1955 24 in. x 32 in.
- Impressions of Africa, 1938 10 in. x 8 in.
- Sacrament of the Last Supper, 1955 19 in. x 30 in.
- Spain, 1936-38 28 in. x 20 in.
- Soft Watch At Moment of First Explosion, 1954 16 in. x 20 in.
- Christ of Saint John of the Cross, 1951 14 in. x 8 in.
- Christ of St. John of the Cross (study), C. 1951 14 in. x 16 in.
- The Hallucinogenic Toreador, 1969-70 24 in. x 36 in.
- Sleep, 1937 12 in. x 10 in.
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